Sun of a foreign sky

Crowd-funded stories of war and exile to help refugees

The time has come for the stories from the ragged edges of silence to be given a voice, stories that will shine a light on some of the most painful conditions that a human being can endure: existence as an exile, a migrant, a refugee.

“Children of a Different Sky” is a crowdfunded anthology of short stories and poems from many authors you know – Jane Yolen, Brenda Cooper, Marie Brennan, Joyce Reynolds-Ward, Patricia McEwen, Jacey Bedford, Irene Radford — and many others, some of whom may be unfamiliar to you, writers who might have a more intimate, more visceral, connection with the pain of exile.

Any money collected beyond the costs of publication will be donated to organizations working to help the dispossessed human tides of our era.

You can learn more about the project at the crowd-funding website HERE

Still from Alma videoIncluded on the website is my video explaining how it works and why I think it is so necessary. (Another link below)

I am one of the unmoored myself, although I was not driven from home by war like so many recent refugees.

But at age 10 I did leave the country of my birth, the ground where the bones of my ancestors are buried, where their ghosts walk, where a sliver of my spirit lives still, lives always. I understand on a visceral level what it means to be FORCED to leave a place one calls home.

Back in the land I come from, there is a beloved poet called Aleksa Santic, and a beloved and well known poem entitled, “Ostajte ovdje” – “Stay Here”. Young children of my heritage and culture know these lines – they are engraved on the souls of the humans of my nation.

Loosely translated,  with poetic license, they read:

Stay here – the sun of a foreign sky
Will never warm you like this one in your own heaven
Bitter is the bread in that place                                                                                   Where you you’re among strangers and not amongst your brothers.

This anthology is an effort to make sure that the dispossessed are not forgotten. It is my attempt to help save both the souls and the bodies of those who now need us most.

If you marched in any city in the world…if you had the courage and the fury to join the thousands who protested Donald Trump’s heavy-handed refugee/immigrant travel ban in the last days of January 2017, I salute you.

Supporting this crowdfunding effort is another way you can help.

Watch the video and give what you can HERE

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11 Famous Authors Who Were Once Refugees

In a story at Bustle, Charlotte Ahlin writes: “Let’s clear something up right away, though, because some people seem to be confused: refugees are human. 100% of refugees are real, human people trying to survive, like you and your friends… Whether they go on to be famous authors, or Steve Jobs’ parents, or just ordinary, non-famous human people on the planet, every refugee deserves to live in safety.

Refugee author Ishmael Beah book coverIshmael Beah

At age 12, Ishmael Beah fled his home and family following an attack by rebels in Sierra Leone. At age 13, he was picked up by the government army and forced to fight as a child soldier for over two years. Beah was finally rescued by UNICEF, and eventually made his way to the United States, where he is now an author and human rights activist. A Long Way Gone is his harrowing, powerful memoir of his life as a boy soldier.

See all the authors at the Bustle website HERE

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But you didn’t

But You Didn't cartoon

I posted this story and a link to it more than a year ago, but it still keeps getting rediscovered and reopened. It is an incredibly moving poem.

“But You Didn’t” Poem Translated & Illustrated by Chinese Netizen: by Fauna

 

See the whole illustrated poem HERE

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HELP ME WRITE: author illustrationPublishing is in flux and most authors need new sources of income to remain full-time writers. If you would like to help me continue writing about wizards and Weres, Jin-shei sisters, and girls who rise from the gutter to become an Empress, consider pitching in with a small monthly pledge. For the cost of a latte or two you too can become a patron of the arts.

Details on how you can help can be found HERE

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Quote of the Day

Blind is a man without a book ~ Icelandic proverb

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The Only River

A couple of years ago I put together an anthology entitled simply “River”, a collection of stories by some remarkable writers, including Irene Radford, Nisi Shaw, Joshua Palmatier… In my editor’s foreword, I explained the concept and recounted my own history with a river.

That there is only one river in our world and our mind and our consciousness and our spirit, was not a new idea. I had been cherishing the concept of an anthology built on that premise for years, a collection of stories any of which may or may not take place on the banks of the same body of water as any other in the treasury of tales… and yet which would all tell of the same River, in essence, the River that flows through all the stories of all the world.
The River coverMap Of Contents When a friend and and colleague, Steven H. Silver, proposed an issue of an ezine edition of the St Petersburg Gazette on the occasion of the 100th anniversary of Mark Twain’s death, I contributed an essay. This is what I wrote:

There is Only One River

I was born on the banks of the Danube – when it is already an old river, muddy, treacherous, full of shifting sandbanks and sucking mud and terrifying whirlpools. This was the river that held my own imagination. I was told stories about it when I was barely a toddler, of the years when the winters were so diamond-hard that the ice on the river was thick enough to bear sleighs and horses and they had sleigh races, complete with thundering hooves of iron-shod horses, up and down the frozen river.

The river which ate life during the war, when the invaders took the local residents out onto the ice and pushed them under, sometimes still alive, for the crime of being who and what they were. The river which threw out bright glints when the summer sun hit the water lapping at the muddy banks, or the deep green depths where sometimes the clear water lingered; the river whose bottom was trawled by great bewhiskered catfish whose smaller representatives you could see moving sluggishly in a large tank at the marketplace and you could walk up to it, point to the fish you wanted, and it would be expertly extracted and brained and decapitated and wrapped up for you while you waited – but I, even as a child, knew that there had to be bigger and wiser catfish in the river who had lived there for a century or more and were far too canny to get trapped into that death-tank…

I was told that when my grandfather was a child the river was still clean enough to drink from. When my mother was a child it was still clean enough to swim in (and you probably wouldn’t catch anything too bad if you swallowed a mouthful or two). By the time my time came, you’d probably catch seven different kinds of dysentery from the thing, and it smelled of diesel, closer to the main quay where the boats tied up, and, further down the embankment, of soft squelching ripe river mud, the kind that would suck the shoes off your feet if you wandered too deep into it.

The mud hid things that were known as bikovi, a kind of seed pod which was distinguished by sharp spikes – three of whom at any given time served as a steady tripod on which the thing rested and the fourth pointed straight up, sharp and solid and sturdy enough to drive through the sole of a shoe. One didn’t walk barefoot on the shore – at least not where there wasn’t open sand – without paying close attention to where one stepped.

I loved my river with a great love. The Danube which was not blue, not here, and never was. It does not matter. I worshipped the great brown water flowing swiftly by. I loved the ramshackle fishing boats pulled up on the sandbanks out where the river was not constrained by concrete or great levees. I loved the forests of cats’ tails and other water reeds that crowded its shallows, wading out into the stream. I even loved the sharp seedpods which I took such care to avoid. I loved the way it looked, the way it smelled, the way it flowed through my own veins, like blood and memory.

I was, still am, in a sort of superstitious awe of the thing. When I returned to the city of my birth in the aftermath of the NATO bombing campaign in 1999, the one that had taken out ALL the bridges that bound together the parts of the city on the river’s two banks, the only way across was by crowded ferries which often had standing room only and were stuffed with as much humanity as they could carry… or by cockleshell boats plied by private enterprise, which would take you across for coin, like the ferryman across the Styx. We did that, my mother and my aunt and I, one time, and sat in the little wooden boat as it was flung across the river by the good offices of a tiny outboard motor. I remember sitting on the wooden seat in the boat, next to the edge, with the boat low enough in the water that I could, if I wanted to, reach out a hand and trail it in the water as we crossed the river.

And I tried.

I put out a hand and spread out fingers that trembled… and I could not make myself touch that holy water. Holy, to me, for so long. I had been warned against its whirlpools as a child and now there they were, swirling brown and oddly innocuous right next to my boat… and I could not touch them. Because the legends I carried in my heart and in my spirit told me that there really WAS a river god living here, and that he was drowsing, and that my touch might wake him, and I would pay the price.

The great river. The old river. The river of dreams, and of power, and of eternity, flowing like time.

Mark Twain’s gift to me was to realize eventually that there was a way to make something into an archetype that transcended the mere quotidian. My Danube would have been a stranger to a Twain riverboat, or a black slave running away to freedom; the Mississippi would have equally been a stranger to sleigh races on ice, or to the specific kind of water reeds that grew on its banks. But I like to think that the catfish of both rivers would have found a common tongue between them as they slipped past the archetypical waters of all rivers and of all time. And I like to think that some day, if I find myself with my toes curled into the mud of the banks of the old downstream Mississippi of the Twain stories, I will instinctively be watching out for sharp seed pods which could not possibly be there.”

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Buy a copy of River at Amazon HERE

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At Daily Kos, Ojibwa tells us about

Women Warriors Among Northern Plains Indians

What is usually missing from the non-Indian descriptions of Northern Plains Indian warfare is the fact that women were often warriors. Take Tashenamani, for example:

TashenamaniTashenamani (also called Moving Robe; She Walks With Her Shawl) was a Lakota woman among thousands of other Sioux and Lakota camped at The Little Big Horn. When Lt. Col. Custer’s Seventh Cavalry attacked, she led the counterattack.

During the battle, when a soldier asked her not to kill him, she replied:
“If you did not want to be killed, why did you not stay home where you belong and not come to attack us?”

Read more at Daily Kos HERE

 

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Quote of the Day

Like Books PosterBut make that strong coffee. 

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